高棉古代艺术中的罗睺形象
类型OTHER
地点柬埔寨
发布时间2026/04/20 05:59
详情描述
罗睺（Rahu）作为印度教天体神祇，在柬埔寨的佛教与印度教寺庙中均有呈现。其典型形象特征包括火红的面部、硕大的圆眼、狮子或人类鼻型、爪状手部以及一张大嘴。
在前吴哥时期，罗睺形象主要雕刻在门楣中心位置。随着时间推移，其表现形式发生演变，后期作品中罗睺常以双臂环抱动物、花卉图案或人物的姿态出现。
在现代，罗睺形象多见于佛教寺院的立柱及其他建筑构件上，同时也出现在棺木装饰中。在柬埔寨文化语境下，罗睺象征着时间（Kala）以及生死轮回。
📋 简要摘要 ▸
本文介绍了高棉古代艺术中罗睺（Rahu）的形象演变。从前吴哥时期的门楣雕刻，到现代佛教寺庙的壁画，罗睺形象经历了从单一神像到与动植物结合的转变。在柬埔寨文化中，罗睺象征着时间与生死轮回，常出现在寺庙建筑及棺木装饰上。
📋 完整原文 ▸
Picture of the Day: Rahu in Ancient Khmer Arts
Images of the Hindu celestial body Rahu are seen at both Buddhist and Hindu temples. Rahu is often depicted in human form, highlighted by a fiery face, large round eyes, a human or lion nose, claw-like hands, and a large mouth.
During the pre-Angkorian period, figures of Rahu were primarily sculpted on the center of lintels. The motif later changed to Rahu being presented with two short arms wrapped around animals, floral patterns or human figures.
Present-day images are painted on columns and other elements of Buddhist monasteries as well as on coffins. In Khmer culture, Rahu represents time (kala) and the cycle of death and rebirth.